Mouth Is Bleeding On Roof Of Mouth

Thursday, December 23: We're all toast to Salotto89

Thursday, December 23, 2010: Salotto89 , for policy reasons, in joy and exchange greetings. Meet at 20.30 in Room '89 Boario (Oglio lane 10).

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crane on Friday, 19/11

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the 89th Salon De Toni meets

Friday, November 19, 2010 at 20:30 in Room Boario in '89, third date with the Living 89 sponsored by the Cultural Graffiti. We discuss freely 's current political and the rule of the center, at national and local levels, accompanied by sen. Gianpiero De Toni (IDV).

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my land

Did I ever did see pictures of my earth? Mistreated before, 'cause now recognized wetland and protected area? Have you ever seen a sunset in a wetland, including avocets and straws?

Have you ever walked on the edge of a cane while shelducks glide on the water?

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blog candy deadline November 16

I discovered a new blog ... nice, really to explore!

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Against The League is now to react to the living room 89

We have launched a few weeks ago at 89 Lounge. It is the attempt to reconstruct a point of comparison, analysis, discussion of politics, trying to pass some kind of fence: the looks askance at the firing between militants of different political parties and small parties of the center and the left; distrust - often mutual - between parties and "civil society", meaning the world of associations committed this expression, rather large and lively even in Vallecamonica; increasing the distance between pathological "elected" (appointed or ...) and voters.

A meeting a month, in Room 89 to Boario, in that room that we can Graffiti continue to hope that it can become a home for all citizens and groups, Democrats and progressives of our valley. With the appointments of 89 living think we can also contribute to this goal: none of us has his head in yet another circle for intellectuals more or less unpleasant, but an open place, together with insights and points of view, they can develop ideas and initiatives for common locations.

At the onset of the Living 89 the issue on the agenda was the Northern League: the reasons for its rise, the negative effects on society and on Italian culture, the contradictions of a perpetual opposition party also for years if well-accommodated on ministerial seats, the possible countermeasures. One of the refrain of the evening was the criticism of the weakness of the messages of the center, both in terms of content both in terms of modes of communication.

course a serious and responsible policy can not be satisfied slogan compounds a maximum of four words and can not afford to simplify complex issues and problems. But to rebuild a popular roots while the left will try to make themselves understood ... It's been more than four years after that memorable campaign played on the Union tax wedge, we have left behind the season's spokesman Sircana, first and only If spokesman voiceless. Some signs of change hath been recorded: in Vallecamonica on the opposition of public water has been able to say words clearly and teamwork among groups, board members, has left no doubt embarrassed the league. Should continue to do battle, raise your voice, find the pride of our positions, create a team.

Inside this issue of Graffiti, as well as on our website www.graffitivalcamonica.it , you will find a first wheel anti-League. It is the beginning of a campaign which we hope will spread, strong, plural. The leaflet will also be an old tool, but it's cheap and, with that in hand, each of us can make a contribution. Dear readers, these leaflets are available: imbucateli in the mailbox of your neighbor, affiggeteli on a lamppost, take them to the bar, let them run on the network, fotocopiateli, in short, give us inside. And if you have new ideas please know.

On our site you will find the same flyers in an editable format. You can then remove the Graffiti logo, replacing it with one of your party or your association or not putting any code. It does not matter. The important thing is to react. Together.

If you want to receive the files. Doc and. Pdf of this leaflet, ask for a associazionegraffiti@gmail.com.

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it comes to labor and union

Friday, October 22 second round with 89 Lounge, sponsored by the Cultural Graffiti. In company Secretary General of the CGIL surfed Daniel Gazzoli be discussed freely to work, union and economic and social prospects of our territory.

Meet at 20:45 in Room 89 to Boario!

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sal Stefy: September and October

What anguish! I was late for the month of September, so I got good buzz and I have prepared two in September and October.

decuopage A box with the application of a heart in September and modeling clay for a little heart fabric rose in October with little little ... ...

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giveaway: Deadline October 30

want to win! I descend down again 'ed by the prize never came for Christmas last year ... because items! I was hoping for a little thought for comfort ....

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Friday, Sept. 24: at the start of the FAIR 89

At the last meeting of the Cultural Graffiti a kind of collective self-analysis has highlighted the need and the desire of many of us return to discuss politics.

work in associations, parties or in the union and the consequent need to organize events, to "do" in short, to become visible and useful for the territory, often leads to not have more time to debate and discuss. We meet in the meetings, but there are so many practical things to be taken, that the time to talk about the political history of the country is not there.

The desire and the need also to know the thinking of those around us, his opinions on current events and, through this, his vision of the world, however, remains. It is not just an affectation, but it becomes a necessity, from what it collects from others, then you are able to direct their practice association.

The idea then is to give a monthly, the "living room 89" to discuss and talk freely and frankly about politics. In what way and in what way we can decide together obviously ...

The first date we set for Friday, September 24, at 20:30, in room 89 to Boario. Do not miss it!

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Sal Stefy.Mese August

Luckily I managed to finish even this little frame with a heart of stone. I hope I can please my combination!

One question: where can I find the seeds of barley to fill the jobs that I am preparing ????? Thanks!

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STREET PERFUMES

tile late summer.

I took a bit ' to have fun, but it is also true that tomorrow will resume 'school in full swing. I hope to be able to "mess" still a little bit before the full immersion school

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Sal Stefy. July

Pant ... pant ... I'm late MOSTRUOSOOOOOOOO !!!!!!! Here is a little frame hearts-hearts, wanting to become a door-memo, because the external magnetic hearts.

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End of Summer giveaway ends on September 26

Nice work ... just a blogghina discovery! It 'so nice that I felt like trying ....

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Final Summer: After August my cousin and I decided to go to Spain, to Barcelona!

you post some pictures!

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my first attempt ... but I know that I really like it?

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rummaging in the loft ..... I found a sediolina to decoupage made with Mickey fumentti

rummaging in the loft I found my first attempt at decoupage: a sediolina fumentti done with Mickey Mouse. I made this for my son sediolina folding. he had 5 / 6 years and then, with the passage of time I kept on the loft bathroom. I've found with my great joy, My son wants rearranges it to him in his room. Give me some advice? I did not give a fixative because I was inexperienced and did not know how. Today, after many years as I protect it? I could make it shiny? worthwhile? and how? recommend me a good product anyway?

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RESTORED TWO BOOKS: reports restoration

The following two links lead to Google Docs, where you can view and see two reports of restoration carried out by me, accompanied by an extensive photographic documentation.

link 1:

TRANSLATION DE 'DE PSALMS AND SONGS THAT CONTAIN NELL'OFFICIO DIVINE "

ALFONSO Maria de 'Liguori

http://docs.google.com/fileview?id=0B1p-GmkicQjjNWQ0NTM4NDQtZjIwOC00ODAzLWE2Y2ItNTY5ZGY5ZmIyMWFj&hl=en

link 2:

LA NECESSITY 'of auricular confession INSINUATIONS THE REASON "

of JOANNES MARIA ROLLE

http://docs.google.com/fileview?id=0B1p-GmkicQjjMjliZWE0YzMtNzFhMy00NTkyLTljMzMtZTI0NDcwMDYzZmIx&hl=en

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MUST DO FOR THE RESTORATION OF A BOOK COVER WITH PAPER OR CARDBOARD-LIKE BINDING

v Analysis of Well describes the material specifications, manufacturing techniques, the structure, characteristics, information inferred from the title, the topic of the text, the printing technique, the size and especially the problems of conservation. In this crucial phase of research being conducted on the property very important in terms of bibliography. Such information can then be integrated with those obtained during restoration. L ' apparent height of the character is derived from the measure of' height occupied by 20 rows of characters.

v photo documentation of general or particular, well before the restoration.

v Editorial board - project for the restoration of the good: According to information obtained in a plan is the restoration to be carried on Paper:

v Breakfast: essential if there is removal of the body of the book. It consists in monitoring and documentation of the sequence of cards through the records and signatures and the page number. If there are misprints, errors in the sequence of files or other such anomalies are reported and corrected. The breakfast is made by putting pencil marks on the upper right corner of the front of the card (usually the one where you will find signs of the page). Are marked with an "A" counterguard the front, with a "B" followed by Roman numeral cards in increasing value-call until the first press, with a "C" the first paper printed with a page number in Roman numerals or Arabic (you will therefore have "us" or "C-1 " , for example, to indicate that that card is considered the body's own numbering of the cards, except to correct any errors in pencil) and with the Arabic or Roman numerals following the indication of pages of 'last card numbered cards and counterguard rear guard.

v Careful dry cleaning of all elements of the book using soft brushes boar, white soft tires, tire rubber powder or whishab: In this phase, paying particular attention to the folds of the seam files (which usually are deposited in the dust and manure), all 'external blankets (the most exposed to the external environment), cuts the cards of the files (especially the head, on which usually accumulate more dust)

v mechanical removal of manure and other solid deposits from the body of the book and from the deck via a scalpel, awls, needles, lancets, paying particular attention not to damage the original material.

v counterguard Operational Detachment from the verse of the dishes: the first tests are carried out ex-Cleaning, with splint bone spatula and olive leaf, if not from the dry run results satisfactory proof is locally humidifying the paper with distilled water (to soften the glue underneath, often of animal origin) or Tylose concentrated (so that the consistency of the adhesive gel promotes the persistence of water on paper promoting the penetration into the adhesive below)

v separation of the body of the book other possible links with the blanket to facilitate removal of the files

v Removal of files: the files are opened along the fold seam, the thread passing through them is lifted with the aid of a spatula-leaf and cut with scissors or scalpel, then the file is closed, taking with her right hand and carefully pulled by thread across it. During this operation, you can get lots of additional information: pitfalls of tying, sewing technique, type of nerve (if not already visible), training of the files. Often, the cutting head of the double pages is not complete, but stops at the turn of stitching, making it integral two double pages that initially formed a single sheet (or half a page): These portions are usually a few millimeters long and are designed to separate completely during washing, nevertheless, provide important information for defining the format of the file, the original form of the paper, the reliable reconstruction of the characteristic watermarks the card (or cards) with which the files are produced.

v removal of the remaining thread stitching, removal of the nerves (or pulling them out, if they are deformed, and will not pass through the original hole, cutting first center), and their placement in the appropriate envelopes conservation (the original binding is a valuable document to be kept)

v out tests on the solubility of ink: you are placing a double page on TNT, gently pat a character placed in a marginal position in the mirror Printing with demineralized water Hot and dry the area with absorbent paper, the test is repeated for each type of ink found in the double pages that need washing, if the ink spreads on contact with water does not drain on paper towels to wash, you can still paying particular attention during the operations.

v selection of files that need washing

v Operations for wet: dry deck with hot deionized water bath (38 ° C max ) on a non-woven, with deacidification bath solution semisatura Ca (OH) 2 in cold demineralized water, dry on paper towels underweight, the same operations are performed for each double page of the chosen body of the book above. During the washing counterguard and deck (which usually have deposits of glue used for binding operations in origin) it is necessary to massage the deposits of glue with a round brush to brush off and wipe gently with a spatula court in olive leaf, to facilitate the posting of deposits.

v Ricollatura of the files that have been washed (by washing in hot water are not only removed the dirt and products of paper degradation, but also the residual sizing in the paper were intended to be printed) with bath solution of 4g of Tylose in 1 liter of cold distilled water with TNT support. The deck is usually not reconnect because the subsequent accession to or counterguard plates lead to a suitable supply of glue ricollatura a blanket in the card owner if it is not reused but kept separate from the body of the book

v If counterguard cards or guard can not be reused for the new binding of the book since they were too degraded (or is not considered appropriate to the deck paste counterguard for their artistic value), you can create new cards or watch counterguard papers produced manually with the color and weight similar to the original papers

v Restoration mechanical card: compensation of tears and with Tylose Japanese veil, integration of the gaps by tracing paper and punch, or integration with a sandwich. The first technique involves the following steps:

1. you place tracing paper over the gap to integrate and if they mark the outlines in pencil on tracing paper

2. you choose a hand made Japanese paper color, weight and texture similar to the original check that the direction of the rods of the two maps coincide

3. positioning the Japanese paper in the direction appropriate to a rigid support but easily puncture-proof (eg a plan of polystyrene), it is positioned above the tracing paper

4. you pierce the tracing paper and Japanese paper with a punch through the template of the gap previously identified

5. then pass along the tip of the punch form found on Japanese paper

6. manually torn Japanese paper along the outline identified

7. on the back of the hole is pasted a figure of Japanese film large enough to overcome the edge of the 1-2mm gap: the veil becomes Japanese support for the integration

8. on the front paste the template of the gap in the Japanese paper veil flush with the edge of the gap

The second technique involves the following steps:

1. are positioned on a light table, the Japanese paper that is larger than the gap, the double page with the gap so that the line is on top and a piece of Japanese film

2. advantage against the vision of the shape of the gap, it passes over the veil Japanese Tylose to paste the area of \u200b\u200bicing inside the space of a few mm gap and around the gap: in this way, it is also glued to the Japanese paper below only at the area to be incorporated

3. completely dry, it is picked clean the excess icing and turns the double page in order to have the card in Japanese high

4. keeping the edges with his left hand, the Japanese paper is picked clean excess with a scalpel: thanks to the vision of the shape of the gap against the light, you can control the shape of the integration of Japanese paper to obtain (this is useful if the glue is not passed on the Japanese film has reached every corner of the perfect shape of the gap)

5. the edges of the integration of Japanese paper is brushed with Tylose from the center outward to ensure the full membership of the Japanese paper to the original paper

For small gaps (holes worms, insects walkways) or showy abrasion is often not possible to enforce the integration with the techniques described above: in these cases, you choose to integrate with paper pulp, using the following steps:

1. creates a veil of Japanese support in the direction of the gap

2. you place a piece of Japanese paper on a smooth, hard surface (eg a slab or a piece of marble)

3. will humidify the Japanese paper with distilled water and brush with you Tylose

4. with the help of scalpels and tweezers, is fraying the Japanese paper making pulp

5. you place the pulp in the gap on the support film in Japanese and you stick with TNT and splint bone: through the contribution of Tylose, the pulp is fixed to the Japanese film and the edges of the gap by conforming to it.

v Reconstruction of the controlling body of the book collating previously affixed

v sottopressa positioning of the body of the book: the files are divided into four blocks and placed in the middle of the floor of the press with the backs facing each other two at a few inches away, to better distribute the weight, the press is lowered so as not to make excessive pressure to crush damage printing of papers and files are maintained for a few days sottopressa

v Restoration Mechanical covered in paper or cardboard: the proceedings are substantially the same, but in the event of a covered cardboard, additions and The pulp can be obtained by using cardboard instead of thin Japanese paper. Often it may be necessary to sail the deck in paper or cardboard, to ensure greater resistance

v seam of the body of the book on tape or nerve: the stitching is done starting from the front by placing the cutting counterguard head to the right the binder as described in the formation of facsimile

v Creating dell'indorsatura and capitals in the head and foot (if present originally)

v Inclusion of nerves in the pool (if it is cardboard) having them come on the back of plates, complying with the original insertion holes

v counterguard bonding of the fastening plates

v Creating cases or boxes to keep documents restored

Integrating pictorial weaknesses of the deck can be performed or not for aesthetic reasons, but are not necessary for the conservation. For the restoration of two old books described below, we chose to run given the extent and location of additions to be made. Integration must be performed at the original watercolor undertone, to allow the recognition and also because, over the years, the watercolor tends to darken.

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PARCHMENT

Material: a facsimile stitched up the nerve, and capitals indorsatura a straight wire, a piece of parchment paper large enough to cover the boxes and the backs of Facsimile creating tuck about 20mm from the cutting head, 30 mm cut foot , 40 mm cuts in front of and unghino 2 mm, an awl, tweezers

Procedure:

- creation of the head and foot tuck folding the parchment paper with the splint bone

- the facsimile is laid on parchment paper in a central position and there is a fundamental first sign for the formation of the back

- bending and tension the parchment paper to accompany the facsimile is identified a second sign for the formation of the back

- parchment paper folding for the formation of the back

- placing the facsimile in a vertical position tuck in the closed position, marked in pencil at the points of the stuffing of the capitals and pierce the paper with the punch at these

- open the tuck, you make cuts as shown in the picture:

- folded into the tuck, the fillings of the capitals are caught in the holes identified by cutting the ends to form a tip

- we identify two sets of signs at Nerve: The second series is about 5mm from the first and its mirror image: a hole with the awl through the holes identified

- the nerves are inserted in the first set of holes created

- the facsimile is lying with the back plate on the work surface and the back left of 'operator: the back plate you create a sign for the formation before calculating the cut, cut in front of the body of the book, a unghino 2mm, the same operation is performed on the front plate

- filled with nerves and the capitals are marched out of their seats

- parchment paper folding to create the cutting front tuck

- creating a hole at an angle to each hole in the capitals of tuck consistent with the second series of holes in the

nerves - the nerves and fillings are stuffed into two sets of holes

, identified a third set of holes on counterguard tuck tucked within 5 mm from the second series nerves and speculate on it and a hole with an awl

- the nerves were put on this third number of holes remaining between the counterguard and deck, the fillings of the capitals are kept under the head and foot tuck

- anchor tuck cuts with head and foot tuck the cut in front as in photo

- the inclusion of the two straps closure with creation of the button in parchment paper

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leather bindings

Material: a facsimile of stitching up the nerve, indorsatura capitals and two colored wires filled with the severed, two conservative cartoon slightly larger counterguard to 2 mm thick ; a piece of leather and large enough to cover the boxes and the backs of Facsimile creating tuck about 8mm

Procedure:

- nerves are frayed and stuck with the internal part of the mixed glue, fences and left TNT dry, absorbent paper and plastic ensuring solidarity between the body of the book and the dishes

- during the 'drying of nerves, with a chalk mark on the flesh side of the skin of the references and back tuck and proceed fleshing the tuck and the area of \u200b\u200bthe back

- when ' drying of the nerves, the facsimile is placed on a terminal with the back up

- 's indorsatura is brushed with glue mixed: The skin is then properly positioned on the back side of the flower to the' external and pulled the plates with the palms of the hands wide open

- the leather is battened on the back bone and stick with TNT, using tweezers to pluck the nerves proceed from the center to the two plates so as to make them stand out to view

- the facsimile is laid on the work surface with the back plate to the top; plastic is inserted between the internal part of the rear and counterguard

- the dial is brushed on the outside mixed with glue, then glued the leather is tight on the plate, leaving 1cm on each side free to form the tuck, fence and left to dry with paper towels and TNT

- completely dry, the face is laid back on the work surface after removing plastic, and paper towels TNT

- you paste the rest of the leather front panel, the same procedure used to glue the leather back plate

- drying is complete, the non-bonded leather is folded and glued on the internal part of the glue mixture, forming an inner lining, about 8mm

- training of the headset: the skin is not glued on the back is folded and inserted all 'inside of the back behind the capital with the' help of the bone splint

- the tuck team and are trimmed with a scalpel, the excess skin is removed

- bonding of two spurs of cardboard with glue on the internal part of the joint space between the buttresses: this is done to try to counter the 'inevitable slight warping of the quadrant to the 'outside caused by glue used to stick the skin

- counterguard are pasted against the flat to tuck and glue mixture.

Characteristics of a suitable leather bindings: the bite should not be too large, this will cause excessive stresses to counterguard, hides and counterguard on the plates must be taut and have no wrinkles, tuck counterguard must overcome the covered on the plates and not to show the view.

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BINDING IN "HALF-CLOTH WITH SIMPLE TIPS

Material: a facsimile of stitching on webbing and two capitals filled with colored wires cut off, two boxes of slightly larger size to 2 mm thick counterguard; spine in a light cardboard with the height of the cartoon and width equal to that of the back, decorated paper, cloth bindings to a height equal to that of the spine and 2cm longer than the width of 8mm spine more than ¼ the width of the cartons.

Procedure:

-lies the canvas for binding to the work surface with paper side up

-pencil marks are identified with the central axis and two references to 1cm away from the short sides, calculating the position of the spine board in evaluating the width with respect to the axis of the canvas

-paste the spine cardboard with glue mixed with 1 cm from the short sides references found on the canvas, you stick with TNT and TNT and left to dry with paper towels underweight

-completely dry, you paste the cartoons on canvas 2 mm (equal to the thickness of cardboard boxes) away from long side of the spine and 1cm from the short sides of the canvas and let it dry underweight

-completely dry, the canvas is folded and glued on the inside of the spine stretched and dials with glue mixture, forming an inner lining, about 8mm and a cap that hides from view the sides of the capital

- calculates the width of the canvas pasted on the faces, which must be about ¼ of the width of each box: the upper-and lower-right quadrant of the front and the upper-and lower-left quadrant of the rear track and the bisector, starting from the origin of this, you put a pencil mark at the distance identified above: this sign is created perpendicular to the bisector that meets short and long sides of the plate forming the space for the corner canvas

- then you create four pieces of fabric for binding with the shape and size spaces identified as a cm for the sides that will meet the short and long sides of the plate

- the pieces of cloth are glued to the dial mixed glue holding the side perpendicular to the bisector flush with the signs identified

- not glued to the canvas is cropped at the toe angle of the plate 3 mm from this and folded on the internal part of the glue joint

- prepare two pieces of decorated paper shaped and large enough to hold the pieces of cloth glued on the faces of 1 - 2 mm and overcome the short sides of the plates of 1cm on each side

- decorative paper is glued in to coat the pieces of cloth pasted on the cartons of 1 - 2 mm mixed with glue

- the paper is folded and glued tensioned the internal part of the glue mixture, forming an inner lining, of about 8mm.

- Completed the blanket, the straps are glued to the internal part of the glue and let dry mixed with TNT, and plastic absorbent paper

- then the counterguard are glued to the plates.

Characteristics of a suitable binding in "Half cloth" bits: the bit should not be too large, this will cause excessive stresses to counterguard, canvas, paper and decorated counterguard on the plates must be taut and not be creases, the decorated paper to overlap the edges of the canvas and not to show the view.

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COVERED IN PAPER

Material: a facsimile on a chain stitch, glue mixed (80% Tylose, 20% PVA glue), decorated paper large enough to cover two counterguard and backs of Facsimile, stick 's bone, newsprint, plastics, non-woven fabric (TNT), paper towels, weight

Procedure:

occurs-the sense of decorated paper printing and paper used for the fac counterguard

-like - you have a facsimile counterguard the front resting on the work surface and counterguard back up with his back to the left of

- counterguard is interposed between the rear and the body of the card a piece of newspaper

- Brush glue is mixed on counterguard back with a movement back toward the radial cuts

- you raised against the rear guard to remove the newspaper and put in its place, in order, TNT, and plastic absorbent paper

-si riadagia counterguard the rear and stick the decorated paper flush with it

- decorated paper is positioned above the TNT, the stick is allowed to dry evenly and underweight

- completely dry counterguard on the back of decorated paper, removing TNT, and plastic absorbent paper, and placing the counterguard leaning back to the work

- counterguard taking a weight on the front, sits in the back so it is perpendicular to the plane Working with files and well aligned

- is painting the back mixed with glue and took the piece of paper decorated counterguard not glued to the rear, then pull back to taking it to paste it over the front with a counterguard angle of 45 ° about

- you stick with the back splint bone and TNT with a movement from the work up

- sets the paper and decorated the front counterguard underweight for drying the backs senior

well - a complete drying of the spine, paste paper decorated counterguard remaining flush with the front, with the same procedure used to glue the decorated paper to the back counterguard

Characteristics of a suitable cover with a paper card in the deck the waves are inevitable due to humidification and sudden and forced the material, properly observing the direction of printing paper and decorated the of counterguard is not possible to restrict this very unpleasant effect; card in the deck must cover perfectly counterguard from their outer side and have no creases or wrinkles due to an improper tension and improper splinting.

23 Southbouth Flee Market Lucasville Ohio

CAPITAL TO CAPITAL TO A TWO-WIRE

-strips are placed in a 20cm long paper at the center of every issue: the strips are cut out of a few cm from the head and foot and be at least 2cm from the back

-

the facsimile is placed in a clamp is not too tight with the back up and cut the foot closest to

-two wires are prepared in two colors of silk different and the same length: one of the two wires is fixed a needle

-l 'needle with the first thread enters from the outside seam of the fold of the second issue: in this first step is necessary to stop the movement so that the thread remains of a few centimeters above the entrance hole

- from yarn left out of the entrance hole and the second wire creates a double knot

the first wire-covered hole just crossed: in this passage the soul is brought into position and secured by pulling the wire

-second wire is fixed a needle that is brought in to cut the foot of the first issue and soul, this soul slips under the door and before the first head

-August 2 pierces the fold of the third seam of the file (identified thanks to the strip of paper) from the inside height of the chain: pulling the thread, this forms a small loop for the first wire to create the foot of the capital

-the second needle is then used over and before the soul, the first needle can create and outpaced the second-leg

steps continue in this way to all the files until the third last

-third from the file that the needle should form the penultimate leg pierces the file from the inside but you do not take more over the soul, while the wire is left inside the leg moves between cutting penultimate foot of the dossier and the soul, the soul slips under the door and externally at the chain, here you create a double knot between the two ends of wire thereby closing the capital. The steps for the creation of the capital on foot cutting must be repeated to create the capital of the cutting head

The paper strips can be placed in the center of all cases (except for the first last) or be placed every two or (in the case of large volumes) every three installments. In each of these cases it may be necessary to conduct the "clearing rounds" of the yarn around the soul: before being blocked by the leg, the wire that blew the fold seam of a dossier from the inside out and is back and front of the soul above the soul can turn around once, twice, three times the maximum speed of creating compensation. Tours of compensation shall be made if the distance between the center of a case and the next is marked as not to be filled by the simple passage between the two ends of wire between the two colored wires in the creation of the foot: this procedure would put the matter in view of the soul, but must remain hidden from the thread.

can happen, played two rounds of compensation, we were unable to reach the height of the center of the file marked as follows: in this case can be made a third turn around the soul, thus forming the other end of the line a foot in the crease that does not fix the sewing of the file below, but is stabilized by two or three laps around the soul of compensation with the second part of the wire (this is called "false foot") to all ' height of the fold seam where you can join to form the real leg. The need to create fake legs depends on the distance to be bridged between a fold of sewing and the other, the size of the yarn and the soul, the number of turns of compensation to be made: these factors should be carefully evaluated with tests to find a correct formula ensuring the regularity of the interplay between yarn, rounds off, legs, false legs.

Characteristics of an appropriate capital: the position of the soul must be flush with the back cut on the foot or head, the matter should not show up at the sight of the soul, the passage of the wire leaving the fold seam height of the chain to overcome the soul again must be parallel to the fold of the same seam and parallel to other steps, the soul must be firmly attached by thread, which must be tight, the turns of compensation must be regular in number and not more than three per pass .

Dun Buggy Bleue Print

The creation of a capital to a simple wire was made on a base of cardboard and a facsimile of stitching up the nerve for the binding with parchment paper

on cardboard backing

- a cardboard rectangle 5cm long and 3cm height is fixed to the 'soul of the capital in the string with paper tape

- ' s needle with the yarn comes from the rear to the front of the card just below the 'soul

- the thread is pulled towards the 'top to divide the length of the wire in equal parts, all' other end of the wire is joined a second needle

- the first part belongs to the first hole blocking 'soul of the capital, then passes around slipping below the string and taking over

- the second part is pulled in order to get under the string and enter the needle from the front to the back of the card near the first hole made: in this step overlaps the first part to form the "foot" of the capital.

- The second part takes you back to overcome the 'soul next to the first part

- The first part comes in with the' needle from front to back of cardboard forming a second leg and back to overcome the 'soul

- We make the same operations for the training of the legs until the end of the card

- The capital is completed by joining the two ends of wire with a double knot

on facsimile:

-paper strips are placed 20cm long at the center of every issue: the strips are cut out of a few cm from the head and foot and be at least 2cm from the back

-

the facsimile is placed in a clamp is not too tight with the back up and cut the foot closest to

-l 'thread the needle from outside to enter' inner fold of the seam of the second issue: in this first step is necessary to stop the motion so that the yarn came in and what remained outside the fold are the same length

-the thread falls into the hole just crossed: in this passage the soul is brought into position and secured by pulling the wire

-chief of the wire remained outside the fold of the seam is attached to a second needle, and placed between the foot of the first issue of cutting and soul, here slips under the soul and brings before the first head

-August 2 pierces the fold of the third seam file (found thanks to the strip of paper) from the inside height of the chain: pulling the thread, this forms a small loop for creating the first thread Footing the capital

-the second needle is then used above and in front of the soul, the first needle can create and outpaced the second-leg

steps continue in this way to all the files to the third last

-third from the file that the needle should form the penultimate leg pierces the file from the inside but you do not take more over the soul, while the wire is left inside the leg moves between the cutting foot of the penultimate issue of the soul, the soul slips under the door and externally at the chain, here you create a double knot between the two heads wire thus closing the capital.

operations for the creation of the capital on foot cutting must be repeated to create the capital of the cutting head

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WIRE STITCHING ON NERVE

Materials: 15 cases comprise 3 double pages each Each paper size 148x105mm; two nerves in the string; cotton yarn, steel needle.

Procedure: The basic stitch is a chain described above, but the thread placed along the inside seam fold is fixed to the string with two nerves in the following ways:

-set is a wooden frame setting ties in with the hooks nerves

-references are created for the holes in the chains along the fold seam of the first file that is placed with the cutting head to the right and folding seam towards you

-enter the thread in the first issue by reference by the cut of a foot and moves toward the cutting head

-joint nerve at the first, the thread goes all ' height of the axis of the nerve to the outside, passes around the nerve and falls into the crook of sewing from this same hole

-the thread continues along the crease of internal stitch and fixed with a suitable mode to the second nerve, then came to the hole near the foot of cut, the thread enters the fold of the stitch of the second issue and you do the same steps

-hour first and second file is then secured with a double knot in chain stitching as

-the third file is placed over the first two, the thread enters the fold of sewing and exits at the first nerve: here, instead of returning immediately in the hole after turning around the nerve, the thread performs two or three laps around the nerve without being: it is the "clearing rounds", made to compensate for the distance between steps around the nerves between the files

-this operation is repeated for the second nerve of the third file and all the following files to the third last, the third issue, also, the files are made solid by the chains

- in the last two sets are not made the rounds of compensation, taking the characteristics of the passages in the first two sets

Characteristics of a suitable sewing up the nerve: the thread running inside the fold of stitching must be very tense, and do not move if pinched by the fingers, taking the body of the book with the thumb and index finger over the cut on the back of this head should not move excessively when excited with opposite directions with both hands, the nerves must be perpendicular to the fold of stitching of the records and must not run in the spaces created by the thread